Nearly every PC nowadays comes with a sound card. They vary immensely in sound quality, features and input/output options. Sound cards fall into two distinct groups - consumer and professional.
The card that comes with the computer would slip into the consumer group, which means usually the cheapest card that the computer manufacturer can find the laters buzzwords like "3D audio", and is put there to make noises for computer games.
Professional (or prosumer - an in between category) cards often have multiple higher quality inputs and outputs, a much higher price and are usually bought later as an add-on. Pro cards usually have LINE inputs only, leaving the Mic pre-amp option open for users to choose. Professional audio equipment runs at a nominal level of +4dB, consumer at -10dB. Sound cards that are designed to link to other pro equipment will run at +4dB, and have greater headroom.
Practically all normal PC soundcards have a built-in computer controllable mixer functionality which is used to adjust how loudly different sound sources sound out and also controls what is being recorded by the soundcard. IN Win95,98,NT etc then there is a little speaker icon in the bottom right hand corner of the screen and double-clicking it will start you the mixer application which allows adjusting those soundcard settings. In other operating systems this adjustment is usually a separate piece of software which you need to run to do those things. If you do not have any idea what would be good settings for those differen sliders, it is a good idea to set about 1/2 to 2/3s up for each fader, and then adjust from those settings to direction which works best for you.
Line level outputs on consumer soundcards can typically output signals up to 2V levels and ouput impedance typically from tens of ohms to few hundred ohms. Those line level outputs are designed to be connected to consumer equipments (normal Hifi amplifier with -10dB nominal level line input) or powered multimedia speakers. Just get the suitable cable in between the computer and the Hifi system and you have your sound on on main speakers. The normal line level output of tis kind can normally nicely drive up to around 5-10 meters of cable without any noticable effect to sound quality.
The typical 3.5 mm output jack used usually for all soundcard connectiond has the following pinout on signal output:
In some soundcards the line output is provided using pair of RCA jacks which are typically used for interconnecting consumer audio devices. In any case all you need is a suitable cable (cable with RCA conneector on one end one which fits to your soundcard) to hook your PC to your HIFI system CD, AUX or TAPE audio input.
If you happen to for some reason get some annoying humming (this happens in some case bit not always) then take a look at Ground loop pages to get information how to solve this problem if you get it.
Speaker level outputs on some soundcards (not in many newr ones) have typically around 2W of output power and can drive 8 ohm sepakers or 32 ohm headphones nicely. If you have non-powered speakers or headphones, this is the output to use for them.
Typical line level audio input connections are generally designed to accept audio signals in the range of 500 mV to 2V. They are designed to operate nicely with consumer equipments like tape decs and CD players nicely (those devices use typically -10dB signal level). Line level audio input connectors are high impedance inputs (typically around 10-47 kohm). The pinout is the same as in the line level output:
The real performance and voltage rages of line inputs vary from card to card. Most cheap consumer sound cards run off a 5 volt internal supply so any buffering opamp stages they have will clip someplace around 1.5-2 volts. Some better cards can easily produce unclipped 2 volts rms. Some cards designed for professional use can handle input levels up to 10V.
Most sound card inputs require a minimum signal level of at least 10 millivolts. Sound Blasters and some older 8-bit cards need 100 millivolts. Many soundcard supply bias voltage on their outputs to power the electret microphones (the only microphone type which works with this kind of cards). The input impedance of the typical PC soundcard microphone input is is typically in order of 1500 to 20000 ohms (can vary from card to card).
This discrepancy means that if a typical professional microphone is connected to a sound card input, the user will have to shout into the microphone or hold it just an inch or so away (or both) in order to produce a strong enough signal for the sound card to "hear." Other problem with dynamic professional microphones is that dynamic microphones do not like DC current, but soundcards have 1-5V power supply for feeding Electret mics on the 3,15mm-jack´s ring, which can touch the tip of the connector when you plug your microphone in and if you are unlycky it cna damage your microphone.
There are two possible solutions for the low volume problem with professional microphones connected to soundcard. First option is to try to increase the sensitivity of the sound card input with the control software which come with the soundcard (audio mixer application or such). This might more or less help depending on soundcard used. If the input sensitivity cannot be increased eough, another option is to amplify the microphone signal before it goes into the sound card input. This can be done by running the microphone signal through a device called a mic preamplifier or mic-to-line amplifier and feed tha signal to the line level input in the soundcard (this approach usually gives better sound quality also).
Generally the most troublesome task for people trying to record using soundcard is getting the sounrcard settings right so that they can start recording from the correct source with their favourite sound application like Cooledit, Goldwave or the basic Soundrecorder with Windows. To get the recording settings right in Windows system you just need to go into the Windows Volume Control (double-click on the speaker icon in your system tray) and make a few adjustments:
First go to Options, Properties, be sure you are looking at Playback, and check all the checkboxes so you see all controls. Exit the Properties dialog. You will probably find a few more sliders there than you did before. The Line In slider controls the amount of Line In that gets fed to your speaker. This is independent of what goes to your recorder app. Now go back to Properties, select Record controls, and once again check all the checkboxes. Exit the Properties dialog; you are now looking at Record controls. Now you get a list of available input sources and their adjustments. This list is list is slightly different depending on your sound card. If you want to record from line, be sure the Line In is selected -- or not muted, depending on your sound card. The Line In level here controls the amount of Line In that gets to your recording. (And to avoid unnecessary noise, turn down to zero, or mute, or deselect all the other Record controls.) Same basic idea applies also to the microphone input and other recording sources.